Now, Gone In 60 Seconds is no a movie really worthy of beginning anything, much less an entire brand-new millenium. Yet it’s very possible that, to understand action movie franchises in the te that is the 2000’s, you need to start through Gone In 60 Seconds.

You are watching: Master p gone in 60 seconds

Not a franchise itself, thankfully, Gone In 60 secs saw it’s roadway (pun intended) quickly taken over by The Fast and also The Furious.

But to be clear, Gone was there first.

Released in June 2000, Gone beat TFATF to the beginning line by 12 months and also pre-dated Ocean’s 11 – the stylistic paradigm for pop-action Hollywood in the beforehand aughts – by 18 months.

The much more you watch this man movie (not rather ridiculous or self-aware enough to be important “good bad”), the much more it proves itself emblematic the 00’s action-movie style.

There’s the white lady v dreads:

These glasses:

As checked out on TheGoldenCloset

But beyond fashion, Gone In 60 Seconds feels prefer a bridge between 90s and 2000’s activity films, a bridge in between Bay and Soderbergh.

Or between Bay and also Bay: Bad boys (1995) and Bad guys 2 (2003).

Or for that matter, Soderbergh and Soderbergh: Out of sight (1998) and Ocean’s 11 (2001)

Produced by, the course, Jerry Bruckheimer, Gone In 60 seconds often feels choose it’s do the efforts to be Out the Sight: it’s got the sex-related chemistry thing it’s going for (Jolie/Cage come Out the Sight’s Lopez/Clooney), the illicit activity angle, the cops and also robbers stuff.

And wasn’t over there something with a auto or a trunk in Out of Sight? Gone In 60 Seconds (and you may not think this) is full of cars. So…that’s something.

But where Out the Sight was smart and also sexy, Gone in 60 Seconds is just dumb and horny.

Now, there space moments wherein you think Gone In 60 Seconds to know what movie that is: the Cage/Jolie makeout dialogue, a few funny one-liners here and also there, Cage’s moment of all out, wild-eyed Cageness. These are moments bordering top top camp, bordering top top self-aware.

But it’s never consistent enough.

Two procedures forward, one action back: a step at a bar whereby Nicolas Cage wants a drink, however this other male was ordering, so now Angelina Jolie is late on obtaining this other man his drink (because she’s likewise a bartender, the course), yet then Nicolas Cage slams his hand ~ above the tablet computer which scares this other guy, so Nicolas Cage apologizes and offers to pay for other men drink, which the other man politely accepts, defusing every comic or violent tension, after which Angelina Jolie pours this other guy’s drink and Nicolas Cage walks away. Climate the other male says, “what around my drink?” and also Jolie drinks the drink she simply poured because that him and says something like, “what around it?” and you’re just like, why the fuck did all that simply happen?

As dumb and also sometimes-fun together it is, there space some important astonishing moments of forehead-slapping dumb-genius.

Usually as soon as something is bad, it’s boring. It’s slow, it’s predictable, it’s cliche. Gone In 60 Seconds is every those things, certainly.

But then there are moments in Gone where it is impossible to understand what screenwriter Scott Rosenburg was even going for. It’s negative in a wild, virtually refreshing way.

I will allude out a couple of of these practically incomprehensible moments due to the fact that they room too much fun, but to be clear, not enough fun to watch the totality of Gone In 60 secs for.

Cage: and also this “Calitri” is the one who’s after my brother?

Other Guy: choose stains on a mattress.

“Like stains on a mattress” is no the answer to a question. It’s definitely not the answer to this question.

I mean, room stains “after” mattresses? also if stains space out there chasing mattresses, is the brother the mattress? Is he the stain?

If the writer was going for something like, “does a bear shit in the woods” you would still word the response, “are over there stains top top a mattress?” and even the sucks.

Like, what about brand-new mattresses? are we offering up on all of them? every mattresses have stains no matter what, now?

You’d need to write, “like stains ~ above a highway motel mattress” and even then: bad way to tell someone their brother is being pursued by a gangster.

1st that 3 WTAF Dialogue moment in unable to do In 60 Seconds

From the consistent techno music background (yes, all develops of EDM were just called “techno” by everyone in the year 2000), come the hacking scene through unreal visuals and also impossible feats of hackery, come the casual dropping of “faggy” – this movie has actually all the turn-of-the-millenia-action-movie cliches anyone might ask for, and many, the no one inquiry for.

There’s a short sequence – approximately the 1 hour mark, after ~ Nic Cage walk his Nic Cage thing (below), and also before “Lowrider” stops playing – whereby the crew is breaking right into a rooftop window.

The succession is quintessential Soderbergh in Ocean’s: quick cuts, tracking shot, near ups the latches opening and also drills drilling. It’s sufficient to do you want much more from Gone. and also then it’s gone, the scene end so quickly, unlike the movie itself i beg your pardon drags on come the 2 hour mark.


Scott Caan In It


Poster with Red-Orange Tint and People on It


A southerly Rapper

Ludacris in 2 quick 2 Furious

Ocean’s 11:

George Clooney, Brad Pitt, Matt Damon, Julia Roberts, Bernie Mac.

Gone In 60 Seconds:

Nicolas Cage, Robert Duvall, Giovanni Ribisi, Angelina Jolie, Timothy Olyphant.

Pirates of the Carribean: The Curse that the black color Pearl

Johnny Depp, Keira Knightley, Orlando Bloom, Zoe Saldana, Geoffrey Rush.

A clock kind of favor in 24

(The biggest action TV display of the decade, started the year after Gone In 60 Seconds. Both had actually clocks. Coincidence?)

Now, the 2000’s were complete of part really great, high-end action movies I’m no mentioning: The Dark Knight, stole Man, 300, Quantum of Solace.

But Gone In 60 Seconds is not in that tier. It’s in the kingdom of The Transporter, XXX, S.W.A.T.

And when contrasted to those aesthetics, and also the aesthetics the non-alien-robots, non-fantasy franchises that the aughts, it’s clear that Gone is a bridge from the 90s come the 00’s mid-to-low tier action films.

Mirror Man and also principal-from-Boston Public kris McBride are talking around stealing cars.

Mirror man (played by T.J. Cross) provides fun of McBride for wanting gloves to hide his fingerprints.

Mirror Man: Gloves? you don’t need gloves, this is the new age. Inspect this out.

Mirror opens up a box, pulls the end tweezers, and also uses them to use jelly to McBride’s fingers, covering his fingertips. The 2 banter part more, and then…

Mirror Man: young got skills right?

Mcbride: (daps up winter Man) girlfriend look choose a tiny ghetto smurf.

Bro. This killed me.

I’m sorry, but I couldn’t prevent rewinding, re-watching and laugh-crying to McBride’s delivery of the “ghetto smurf” line.

It’s difficult to describe in text how utterly inexplicable that last heat is.

“You look choose a tiny ghetto smurf” is, ns checked, not solution to the question, “boy got skills right?”. Mirror man is wearing yellow, no blue. He’s sort of short? i guess smurfs room short? yet shortness is no in the height 2 of critical smurf traits. Blueness and also usage of the word “smurf” concerned mind.

It was a moment of ridiculousness that you wish the movie had much more of, a minute that knows it’s ridiculous.

2nd the 3 WTAF Dialogue moments in gone In 60 Seconds

If you’re concerned about the usage of “ghetto” together a descriptor, ns understand. Yet that’s only the reminder of the iceberg once it involves the racial politics of Gone In 60 Seconds.

The gyeongju Politics

I did not mean Gone In 60 Seconds to it is in the rich, social time-capsule the it is.

Like America in the year 2000, Gone In 60 Seconds fancies chin post-racial, and also like all points that fancy themselves post-racial, that fails.

In regards to race Gone‘s basic premise is that being “edgy” way having Black personalities say thing around being Black.

In one doubly-troublesome step we check out McBride in ~ his day job, control instructor. He’s berating a young oriental woman about how poor of a driver she is. The lists multiple things she does wrong as a driver, basically claims she doesn’t belonging on the road, and ends the with, “I can’t swim, I continue to be my black ass out the pool” regarding say that neither the them have to do things that stereotypes to speak they can’t.

The only Hispanic person with a line of dialogue in the film (a baby-faced Michael Pena, actually) intimidates two members that the Nic Cage crew v a knife (“cut friend up”) ~ only around 15 secs of display time.

Again, the writer is Scott Rosenburg, and also no, you’re no racist because that assuming that Scott Rosenburg is White. Did that have aid with punch-ups indigenous a human being of color? Not sufficient to provide them writing credits. Scott Rosenburg take away whole-ass responsibility for every native in this script.

And there’s the scene where Nicolas Cage says, “aiight” to master P.

Guys, it’s no that a White human says, “aiight” come a black person.

In this situation, Johnny B has actually just ran right into Nicolas Cage – in the step I stated in “about the rappers” – and now Nicolas Cage and Giovanni Ribisi space running away. Castle run right into a diner where a cop vehicle is parked outside. This forces Master P/ Johnny B to wait v his crew in your car.

So currently you have actually a White criminal being defended by the police (oh yea, the entirety story is around super good car-thief Nicolas Cage and Giovanni Ribisi gift brothers and having come steal dare 50 dare in one night to conserve Ribisi’s life from a gangster), flaunting the fact that he’s safeguarded by the police, and also using black slang to rub it in the confront of his black color pursuer, by finishing his taunts with, “aiight!?”.

Sure, this scene might have been the common trope the “one bad guy can’t hurt another bad guy due to the fact that the police are suddenly there”.

But the consumption of, “aiight” as a taunt, indigenous a White man to a black color man, gets rid of all advantage of doubt. That takes would could be a regular baddy vs. Baddy scene and also turns it into White man triumphing over Black man by hiding behind the legal system.

And Now, DMX

At one allude in the film, Mirror guy makes funny of one of his White man crew members for their musical taste, and also then put on “Up In Here” by DMX, before which, saying, “this is different than the cracker music you’re offered to”.

Which is specifically what a Black person would say if that black person had actually their dialogue composed by one old White person.

DMX was component of a wave of artists that ushered the 90s right into the 2000s: sonically, v his Dame Grease and Swizz Beats-led production and also stylistically, v his almost sing-song flow.

No one would ever before accuse DMX the singing, but his circulation is at sight melodic. Nowadays, every various other rapper sings. But DMX made that cool in a time where also Nelly was derided for his sing-rapping.

Unlike few of his contemporaries who have had long-lasting careers, (he’s in a helluva class) X’s career is much more or less defined by his 5 platinum, and also multi-platinum, albums released in between 1998 and 2003.

And probably even much more accurately: DMX’s top was may 1998 come December 1999, 18 month in which he released his first 3 albums the have, to date, sold 13.2 million copies. Unreal.

At the rotate of the millenia, then, DMX is just one of the largest influence on hip Hop: top top what it sound like and also what it speak like.

In i know good Hop, that feels choose there was a difference in between “when the 80s became the 90s” and also “when the 90s came to be the 2000s”.

A many Hip Hop artists who were huge in the late 1980s, didn’t survive the beforehand 1990s, vice versa, artists whose careers began in the early-to-mid 90s (Nas, Snoop Dogg, Jay-Z) have careers that stretch to today.

DMX walk not have that type of longevity.

Therefore, DMX may be the most “end that 90’s start of 2000’s” rapper that all-time. No various other rapper melted as brightly in the critical 2 year of the millenia, just to have their light diminish so quickly thereafter.

“Up In Here” could be the begin of tendency Hip Hop’s 2000’s, the means (and I have actually proved this beyond a shadow of a doubt) Gone In 60 secs is the bridge in between 90’s and also 2000’s action films.

Using “Up In Here” would certainly be the many self-aware thing Gone In 60 Seconds did, if they to be (and I’m like, really sure they weren’t) making this connection at the time.

Cage and also Ribisi’s last name is Raines.

So of course, the poor guy do the efforts to usage their surname in a threaten metaphor.

It’s ideal there, right? It’s tee’d up? You would think.

Instead, as soon as slamming the phone call down, poor gangster guy exclaims, “it never rains but it pours”.

My jaw dropped. Practically anything would certainly be better.

“When lock raines, i pour”. Also leave the “es” due to the fact that he’s Russian/Eastern European.

Did they intended this gangster guy to be a goofy, bad-at-English (because that’s therefore funny) stumbly bumblefuck? If so, the in no way comes throughout like that. Instead, we’re every left sit in a swimming pool of stumbly, bumblefuck writing.

3rd of 3 WTAF Dialogue moments in gone In 60 Seconds

Ladies, This Movie Could’ve to be So much Better

Remember when I stated Gone In 60 Seconds was full of cars? Yea, it’s no though. At least, not sufficient for a movie whose entire concept revolves roughly stealing 50 cars.

In the opening scene Ribisi steals a Porsche from an indoor dealership display. Then no one steals a vehicle for an entire hour of display screen time.

See more: Youre My Angel Youre My Darling Baby, Girl You'Re My Angel Lyrics Shaggy ※ Mojim

There isn’t even the montage of stealing the 50 cars in one night!

Like, c’mon, carry out the thing we pertained to see you do!

You could have had a dozen different stealing situations, brief clips that weird/funny circumstances. You could have had actually the guy crossing the names turn off the board together the cars come in. Another guy the town hall the clock, counting down the time remaining, “1 hour….30 minutes”. You can have had sweet shots the beautiful dare driving really fast through Los Angeles. For a movie full of cliches i don’t also think lock pretended to it is in a valet once!

Instead, in ~ one point Nicolas Cage just asks his guy something like, “how countless is that?” and the guy says, “48”. That’s it. That’s just how they tell united state we’re gaining into crunch time.

In response to, “48”, Nicolas Cage precise says, “woo hoo”, and also not in the cool, twichy, methed-out method Cage might have said “woo hoo”. Just a phoned-in, boring onomatopoeia that sums up the entire movie. Gone In 60 secs is, besides, that course, gift the definitive action movie of the beginning of 2000’s – the moment where us say this is whereby the 2000’s began – an unenthusiastic exclamation that excitement that could’ve been so much more.